Artwork categories
- Birds 27
- Books 2
- British Wildlife 20
- Landscape 106
- Other Wildlife 42
- Portrait 31
- Predators 44
- Cheetah 2
- Dhole 2
- Leopards 10
- Lions 15
- Pallas Cats 1
- Snow Leopards 5
- Tigers 9
- Primates 20
- Lemurs 9
- Square 48
- Uncategorized 0
- Wild Horses 35
- Faces Series 6
- New Forest 3
- Norfolk 21
- Wales 4
The Face of the Forest
£250.00 – £1,150.00Price range: £250.00 through £1,150.002026
There are few faces in the natural world as arresting as that of the drill. Every line, every colour and every contour appears almost impossibly deliberate, as though painted by an artist rather than shaped by evolution. Yet these vivid blues, deep blacks and flashes of crimson are more than decoration—they are a language. They signal strength, health and social standing in one of Africa’s most complex primate societies.
I have long been drawn to this natural masterpiece, and his eyes just added to his beauty. By filling the frame, I aimed to strip away any distraction and invite you into a moment of direct connection, revealing not just one of nature’s most spectacular faces, but the individual behind it.
The First Encounter
£250.00 – £1,150.00Price range: £250.00 through £1,150.002026
There are moments in wildlife photography when words feel unnecessary. This was one of them.
My first polar bear encounter unfolded in near silence, the bear moving through its home with effortless authority. Against the endless palette of grey and white sky, her presence was both commanding and serene—a reminder that true strength rarely needs to announce itself.
For a few brief moments, our worlds intersected. I left with a photograph, but more importantly, with a deeper appreciation for the resilience, beauty, and wildness of these creatures.
After the Storm
£250.00 – £1,150.00Price range: £250.00 through £1,150.002026
Rain Over Still Water
£250.00 – £1,150.00Price range: £250.00 through £1,150.002026
I have photographed flamingos for many years, drawn again and again to their elegance, colour, and quiet presence. Yet this moment offered something entirely new — a flamingo moving through rain-darkened water, something I had long hoped for but never experienced.
The rain transformed a familiar subject into something more introspective and atmospheric, revealing a quieter side of a bird I have spent years observing through my lens, and love so deeply.
It was a beautiful experience – just me, the birds, and my camera, at the mercy of the weather.
In The Path Of Giants
£250.00 – £1,150.00Price range: £250.00 through £1,150.002026
Low, filtered light settles gently on their immense forms, carving depth into every ridge and furrow of skin. Texture dominates the frame—thick, weathered, deliberate—each wrinkle holding the quiet record of distance traveled and time endured. Moving forward in measured silence, they shape the space around them, where shadow yields to presence and the earth seems to remember their passing long after they move on.
Skin
£250.00 – £1,150.00Price range: £250.00 through £1,150.002026
Soft light drifts across ancient skin, catching every crease, scar, and fold like a topographic map of time. Texture becomes language here—dust, memory, endurance—spoken in shades of gray. Two presences lean into the frame, massive yet tender, dramatic but emotional. I think it is one of my favourite elephant photographs to date.
Plumage
£250.00 – £750.00Price range: £250.00 through £750.002026
An explosion of colour fills the frame—coral, peach, and soft ember tones layered feather upon feather, each strand catching the light as if lit from within. Against the deep black backdrop, the flamingo’s body becomes pure presence: sculptural, luminous, and almost unreal in its intensity.
The feathers are the story here. Loose, flowing, and impossibly intricate, they dissolve the boundary between form and movement. What looks soft at a distance reveals structure up close—barbs, curves, and subtle gradients working together in a quiet act of excess. Beauty, unapologetically abundant.
I began photographing flamingos in 2016, initially drawn in by their colour alone. That attraction quickly deepened into something closer to obsession. The more I worked with them, the more I realized how endlessly variable they are, how light transforms them, how their feathers seem to carry atmosphere as much as hue.
Ten years on, I am still working with flamingos, returning to this visual language of bright colour set against black. It has become a trademark over the years—not to isolate the bird, but to let the plumage speak fully, loudly, and without distraction. This image is less about a flamingo, and more about colour discovering its own voice.
Bad Feather Day
£250.00 – £1,150.00Price range: £250.00 through £1,150.002026
I began photographing flamingos in 2016, drawn in at first by their color and choreography. What started as curiosity quietly turned into obsession—the more time I spent with them, the more personality slipped through the symmetry, and the more these small, awkward moments began to matter.
Ten years on, I am still working with flamingos, still looking for expressions like this: moments where the myth of grace gives way to something stubborn, human, and wonderfully imperfect. The feather stays. The mood stays. And so do I.
King Of Darkness
£250.00 – £1,150.00Price range: £250.00 through £1,150.002026
In 2017, at the very beginning of my career, during some of the most challenging years of my education, I stood quietly in the presence of this lion. I photographed him extensively, drawn to the weight he carried and the darkness he seemed to emerge from. From that time came The Prince Of Darkness—an image born from uncertainty, perseverance, and the hunger to prove something to myself.
That photograph went on to become a defining moment in my journey. It resonated far beyond what I could have imagined, selling out and marking a turning point in my career. But more than its success, it became a symbol of where I was then: learning, struggling, growing, and finding my voice through the lens.
Nine years later, I returned. Older, changed, steadier. And there he was again—the same lion, time etched into his face, his presence deeper, heavier, undeniable. Photographing him this time felt different. There was no urgency, no fear—only respect, patience, and quiet understanding.
This new portrait is titled The King Of Darkness. A reflection not only of him, but of the passage of time we have both endured. Once a prince emerging from shadow, now a king shaped by it. Two images, one soul, nine years apart—bound together by darkness, resilience, and the long road in between.