Artwork categories
- Birds 25
- Books 2
- British Wildlife 20
- Landscape 105
- Other Wildlife 41
- Portrait 31
- Predators 44
- Cheetah 2
- Dhole 2
- Leopards 10
- Lions 15
- Pallas Cats 1
- Snow Leopards 5
- Tigers 9
- Primates 19
- Lemurs 9
- Square 45
- Uncategorized 0
- Wild Horses 35
- Faces Series 6
- New Forest 3
- Norfolk 21
- Wales 4
In The Path Of Giants
£250.00 – £1,150.00Price range: £250.00 through £1,150.002026
Low, filtered light settles gently on their immense forms, carving depth into every ridge and furrow of skin. Texture dominates the frame—thick, weathered, deliberate—each wrinkle holding the quiet record of distance traveled and time endured. Moving forward in measured silence, they shape the space around them, where shadow yields to presence and the earth seems to remember their passing long after they move on.
Skin
£250.00 – £1,150.00Price range: £250.00 through £1,150.002026
Soft light drifts across ancient skin, catching every crease, scar, and fold like a topographic map of time. Texture becomes language here—dust, memory, endurance—spoken in shades of gray. Two presences lean into the frame, massive yet tender, dramatic but emotional. I think it is one of my favourite elephant photographs to date.
Downpour
£250.00 – £1,150.00Price range: £250.00 through £1,150.002024
This photograph was inspired by a couple of shoots I did for the wild horse project — the rain brought the herd to life, and added another dramatic layer to the resulting photographs.
When I completed the project and returned to exotic species, I was excited to shoot in the rain again, and rhino seemed like a good subject — their rugged, pre-historic appearance suits the drama of a downpour.
I was aware of a heavy deluge that was due to hit us in the afternoon, and so I headed out to the field with a feeling of excitement. The rain came, along with some dramatic light — I was the only one crazy enough to be out in the rain other than the rhino, but it paid off.
Titans
£250.00 – £1,150.00Price range: £250.00 through £1,150.002024
To work with elephants is always one of the most surreal experiences – they always make me stop in my tracks, in total awe of their enormity, but also of their remarkable gentleness. I love watching them plod along, going about their daily business and interacting with their family. They deserve our utmost respect, after all, they were here long before us humans.
It is always a challenge to photograph them, indeed my last elephant release was back in 2022. I have tried a couple of times since, and have had this idea sketched out for a while – it just takes time with these beasts, there is no rushing an elephant, but I am not complaining – there are worse places to be than in the distant company of an elephant living his life. I came close once in 2023, but his head didn’t quite lift high enough, meaning the tusks blocked his friend’s face, so I tried again, and again.
It all came together, finally, in October 2024. I thought ‘Titans’ was the perfect title – they possess strength, intellect and importance in abundance.
On The Approach
£250.00 – £1,150.00Price range: £250.00 through £1,150.002024
The zebra is one of the most nervy and skittish species I have photographed, it takes a massive amount of time to gain their trust, and to get into a situation where there is a chance of getting the photograph I am looking for. But it is worth it, their stripes are so visually arresting.
I crouched down so that I was below their eye level, automatically a much less intimidating sight to a zebra than a six foot four inch man, and waited until her inquisitive side finally overtook her nervy nature. I wanted a head-on shot, something completely different to anything I have done before with a zebra – there isn’t, in my opinion, much in the animal kingdom that can claim to be as beautiful as the face of these iconic creatures.
To shoot these creatures head-on is perhaps the biggest challenge, if you are shooting side-on in search of an abstract composition you have a chance of being able to position yourself out of sight, but to capture the image I wanted, I knew I had to be in her eye-line. It was all about being calm, patient and slow in any movements.
Just look at those big, floppy ears, and that incredibly intricate facial pattern. I will never forget this moment – it was the first time myself and a zebra made eye contact, and probably the last!
Heart Of Stripes
£250.00 – £1,150.00Price range: £250.00 through £1,150.002024
Over the last seven years I have grown to be proud of my diagnosis and the quirks and traits that come with it — it hasn’t always been easy, in fact there have been many days, especially during my time in education, where I hated myself because I was different.
My obsessions (a key autistic trait) with our natural world and with the art form of photography, have undoubtedly saved my life on many occasions over the years, and given me the most incredible voice and outlet for my emotions.
One of my favourite traits, is my incredibly vivid imagination. I have loved the camera for many years, and my subjects for many more years, and I often imagine new photographs that I’d love to take, sketch them out and then try to make them with my camera.
I imagine and sketch many more ideas than I take photographs in a year, but it is a challenge I relish — there are some sketches that I’m still trying to turn into photographs years after they’ve been sketched.
This photograph was based on one of those sketches, and I am so proud of it. It took me twenty-two months from sketch to photograph — all you need is 1/200th of a second, but it can take a lifetime to find that 1/200th. Especially when you need two zebra’s to position their heads in the shape of a heart!
Razzle Dazzle
£250.00 – £1,150.00Price range: £250.00 through £1,150.002024
Those that have followed my journey and my work for a while will likely know of my obsession with the zebra – my diagnosis my autism means I am a great lovely of pattern, and I enjoy making black and white photographs, so the zebra is one of my favourite animals to work with.
I haven’t worked with them for a couple of years due to the horse project – they are nervous creatures and so it requires a good amount of time to gain their trust, but last month I had the opportunity to spend a few hours in their company. We were blessed with good light, and the dark backdrop provided a perfect opportunity to make a photograph that made their white stripes pop.
It felt wonderful to work with my favourite animal again.
My Protector
£250.00 – £1,150.00Price range: £250.00 through £1,150.002023
Photographing a baby giraffe is always an enchanting experience, the awkward attempts to navigate their long legs and their large, innocent eyes always make me smile.
I wanted to capture the vulnerability of the baby, and the strong bond between mother and calf. The bond between mother and offspring has inspired so much of my work capturing the natural world – it is a bond that is so special.
Photographing this baby giraffe was an unforgettable experience, reminding me of the beauty and vulnerability of nature. It served as a gentle reminder of the preciousness of life and the importance of preserving these magnificent creatures for generations to come.
As always, this was take using Nikon’s incredible #Z9
Tapestry
£250.00 – £1,150.00Price range: £250.00 through £1,150.002023
Much of my attention in recent months has been poured into the wild horse project, but it has been great to pepper the schedule with the occasional exotic shoot – not only does it refocus the mind when returning to the horse project, but it has also refreshed my creativity.